
I discovered this piece, (originally “A Study of Two White Lilies” by french artist Antione Berjon (1754-1843)) while sifting through the Metropolitan Museum of Art’s collection of public domain drawings. The technicolor grid, placed posthumously beside the image – likely to help “white balance” the archival photograph – caught my eye as an interesting juxtaposition: the gentleness of the artist’s rendering next to the harsh vibrancy of the geometric blocks. Nature next to technology, old next to new, seen next to unseen. Though the color grid has nothing to do with the actual artwork, I’ve found it, surprisingly, adding to my experience of the piece. In that spirit, I’ve taken the original image and modified it slightly, enlarging the grid and balancing out the composition, so that the disparate parts might exist more harmoniously.

The Speed of Love

Using the Ordinary Time 2026 Journal

Walk I: Where Are You?

Walk II: Holy Ground Beneath Your Feet

Walk III: A Way of Love, a Way of the Heart

Walk IV: God in the Ordinary

Walk V: In Returning and Rest

Walk VI: The Unforced Rhythms of Grace

